The author of The Caged Virgin recounts the story of her life, from her traditional Muslim childhood in Somalia and escape from a forced marriage to her efforts to promote women's rights while surviving numerous threats to her safety. Reprint. 100,000 first printing.

Poetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.

Reproduction of the original: The Infidel by Robert Montgomery Bird

"JUST STAY QUIET AND YOU'LL BE OKAY." That's what Mohamed Atta told the doomed airline passengers on 9/11. And we still hear the exact same message today from the powerful but shadowy lobby that is working behind the scenes to gut the First Amendment and prohibit "hate speech"—or any criticism—of Islam. As bestselling author Robert Spencer shows in his startling new book, The Complete Infidel's Guide to Free Speech (and Its Enemies), aggressive Muslims and their appeasers have mounted a dangerous and disturbingly successful campaign against our constitutional rights. Spencer reveals: How social media behemoths Facebook and Twitter—not to mention student groups at American college campuses—are doing the bidding of anti-First Amendment Muslim activists Why core Islamic teachings make criticism of Islam punishable by death How American representatives at the United Nations have already agreed to limit freedom of speech How Curt Schilling and other outspoken conservatives have lost their jobs for criticizing Islam Why Twitter and Facebook now regularly censor speech critical of Islam—while allowing death threats against its critics How blasphemy laws in Muslim countries are used as a pretext for arresting, even lynching Christians How European "hate speech" laws are used to prosecute and harass critics of Islam Why appeasement of Islam is endangering our First Amendment freedoms and could lead to your prosecution for "hate speech" If you value your First Amendment rights, you owe it to yourself to read The Complete Infidel's Guide to Free Speech (and Its Enemies). It will give you the information and tools you need to fight back—because Islam and its progressive fellow travelers have only begun their campaign to define what you can read, say, and think.

During troubled times at Yale University, then president Timothy Dwight saw his students drawn to the radical republicanism and infidel philosophy of the French Revolution; including the philosophies of Hume, Hobbes, Tindal, Lords Shaftesbury & Bolingbroke and other so called philosophers. Between 1797 and 1800, Dwight frequently warned audiences against the threats of this infidel philosophy in America. An address to the candidates for the baccalaureate in Yale College called The Nature and Danger of Infidel Philosophy, Exhibited in Two Discourses, Addressed to the Candidates for the Baccalaureate, In Yale College was delivered on September 9, 1797. It was published by George Bunce in 1798. This reprint is taken word for word from an original printing held in the archives at A. Webb Roberts Library, Fort Worth, Texas.