Chronicles the joys and sorrows of the four March sisters as they grow into young ladies in nineteenth-century New England, in an annotated edition that looks at the work in biographical, social, and historical contexts.

Little Women This is a lovely and heart rending tale about the March family- Meg, Jo, Beth, and Amy March. Little Women is set in the 1860s in a New England town modeled on Concord, Massachusetts. The March family loses its wealth and gains so much more, love and unity. Little Women is a wonderful and brilliant story of suspense and humor, as well as lessons about the importance of honesty, hard work, true love, and family unity. A Brilliant portrayal of nineteenth-century American family life. With more than 200 illustrations by Frank T. Merrill and a picture of the Home of the Little Women by Edmund H. Garrett Part One and Two

A delightfully clever contemporary novel inspired by the Louisa May Alcott classic In Katharine Weber's third novel, The Little Women, three adolescent sisters--Meg, Jo and Amy--are shocked when they discover their mother's affair, but are truly devastated by their father's apparently easy forgiveness of her. Shattered by their parents' failure to live up to the moral standards and values of the family, the two younger sisters leave New York (and their private school) and move to Meg's apartment in New Haven, where Meg is a junior at Yale. They enroll in the local inner-city public high school, and, divorced from their parents, they try to make a life with Meg as their surrogate mother. Written in the form of an autobiographical novel by Joanna, the middle sister, the pages of The Little Women are punctuated by comments from the "real" Meg and Amy. Their notes and Jo's replies form a second narrative, as they argue about the "truth" of the novel. Why do readers insist on searching for the autobiographical elements of fiction? When does a novelist go too far in mulching actual experience for a novel? What rights, if any, does a writer have to grant the people in her life and story? An ingenious combination of classic storytelling in a contemporary mode, The Little Women confirms Katharine Weber's reputation as a writer who "astutely explores the gap between perception and reality." (The New York Times Book Review)

The girls gave their hearts into their mother's keeping, their souls into their father's; and to both parents ... they gave a love that grew with their growth, and bound them tenderly together by the sweetest tie which blesses life and outlives death. Pretty Meg, tomboy Jo, shy Beth, and vain Amy, the four March sisters, are as different as sisters can be, but more devoted and loyal sisters you'll never find. For though the March girls fight, tease, nag, and scold as all sisters do, they do so with the knowledge that nothing is as precious as a sister's love. Discover the magic of family in the first part of this classic novel cherished by young girls everywhere.

Supporting materials and information relating to the people and places mentioned in the correspondence highlight this compilation of seventy-one letters by celebrated writer Louisa and her artist sister Abby May, who tell of their experiences during their fourteen-month literary tour of Europe in 1870.

Chronicles the humorous and sentimental fortunes of the four March sisters as they grow into young ladies in nineteenth-century New England.

Examines the crucial role that coming-of-age narratives have played in American feminism.

This handbook offers students and researchers a compact introduction to the nineteenth-century American novel in the light of current debates, theoretical concepts, and critical methodologies. The volume turns to the nineteenth century as a formative era in American literary history, a time that saw both the rise of the novel as a genre, and the emergence of an independent, confident American culture. A broad range of concise essays by European and American scholars demonstrates how some of America‘s most well-known and influential novels responded to and participated in the radical transformations that characterized American culture between the early republic and the age of imperial expansion. Part I consists of 7 systematic essays on key historical and critical frameworks ― including debates aboutrace and citizenship, transnationalism, environmentalism and print culture, as well as sentimentalism, romance and the gothic, realism and naturalism. Part II provides 22 essays on individual novels, each combining an introduction to relevant cultural contexts with a fresh close reading and the discussion of critical perspectives shaped by literary and cultural theory.

Television and the Sensate Body in the Digital Age appraises the medium’s capacity to evoke sensations and bodily feelings in the viewer. Presenting a fresh approach to television studies, the book examines the sensate force of onscreen bodies and illustrates how TV’s multisensory appeal builds viewer empathy and animates meaning. The book draws extensively upon interpretive viewpoints in the humanities to shed light on a range of provocative television works, notably The Americans, Mad Men, Little Women: LA, and Six Feet Under, with emphasis on the dramatization of gender, disability, sex, childbearing, and death. Advocating a biocultural approach that takes into account the mind sciences, Cassidy argues that interpretive meanings, shaped within today’s dynamic cultural matrix, are amplified by somatic experience. At a time when questions of embodiment and affect are crossing disciplines, this book will appeal to scholars and students working in the fields of television, film, and media studies, both in the humanities and cognitive traditions.