Madeline is a story of one womans journey from the depths of hell to recovery. Much of Madelines life was usual and untouched. Madeline went to college, owned her own art gallery, and had a home of her own. However, part of her life was quite messy. Madeline would spend too much money, go on binges of eating then not eating at all, and struggle with bouts of self-mutilation. Madeline had a mental illness. She was diagnosed in her midtwenties. This is her story of how it all happenedfrom hospitals and medications to days of great triumph and how she got it all back. Her life is in this story. This book is a fictional adaptation of Alexandras own life and how she has overcome her own demons to find light and life once again.

I have a very personal feeling about this book. It touches me and grants me the privilege of access to its romantic heroines inner life as she arrives at a post-Woodstock womanhood in Hoboken, no less. -Bob Fass, WBAI-FM Its Hoboken, New Jersey, 1987. The Bongos are breaking up, the Maxwell House factory fills the air with the scent of coffee, and favorite son Frank Sinatra still eats calamari at Leos Grandevous. Twenty-seven-year-old Madeline Boot has just returned to the city, determined to start a new life after a spiritual retreat gone awry. Madeline gets involved with David Guggenheim, the bassist of the up-and-coming band Shallow Grave. Swept up by Davids seductive lifestyle, Madeline seeks balance between her new relationship and her family life, which includes her upstairs neighbor Michael, a Columbia professor who translates Buddhist scriptures. Inspired by Jane Austens Emma, Tibetan Buddhism, and the unique charm of Hoboken, New Jersey, Madeline explores spiritual and material aspirations, and ultimately finds harmony between the two.

Serious Mental Illness, Homelessness, Drug and Alcohol Addiction, and the role of the family begin to speak of the journey of a thousand drinks and drug fests found inside this book. Some could be solved with a single choice. Some would haunt forever. Read this harrowing tale to find out the dreaded story of one woman’s journey through all of it.

Many of us deal with the lost of a love one in many ways. It is even harder for a ten year old girl. This book deals with a young girl Madeline. Who lost her father in the war and unexpectedly lost her mother six months later. What better way to help her understand and deal with her lost. Then meeting a talking Dragonfl y at a creek that nestle on her Aunt Violet and Uncle Jack farm. With the help of this Dragonfl y Skip and few of his friends. Madeline fi nds out, how family, friends and love can overcome all fears in life. That death is not the end but the beginning of life itself. This inspirational story will give you that. But, most of all. It will show you. That unconditional love is the most powerful gift we can give to each other.

Have you ever wished that your dream's could come true? Well, Madeline was born with a genetic disorder that allows her dream's to come into existance; Doctor's and well-known researcher's have given this disorder the title: Dremalatisis. But, Madeline doesn't dream about fame, rishes, or fancy things; she dreams about causing harm, distruction, and death. So, if you end up in one of Madeline dream's, it may very well be the last thing you find yourself in. In this page turning suspense thriller, Madeline will have you thinking twice about how you treat people, because you may unwillingly come across someone with this disorder and end up in one of their dream's.

Best known for her Oscar-nominated roles in the smash hits Paper Moon and Blazing Saddles, Madeline Kahn (1942–1999) was one of the most popular comedians of her time—and one of the least understood. She turned out as reserved and refined as her characters were bold and bawdy. Almost a Method actor in her approach, she took her work seriously. When crew members and audiences laughed, she asked why—as if they were laughing at her—and all her life she remained unsure of her gifts. William V. Madison examines Kahn’s film career, including not only her triumphs with Mel Brooks and Peter Bogdanovich, but also her overlooked performances in The Adventure of Sherlock Holmes’ Smarter Brother and Judy Berlin, her final film. Her work in television—notably her sitcoms—also comes into focus. New York theater showered her with accolades, but also with remarkably bad luck, culminating in a disastrous outing in On the Twentieth Century that wrecked her reputation on Broadway. Only with her Tony-winning performance in The Sisters Rosensweig, fifteen years later, did Kahn regain her standing. Drawing on new interviews with family, friends, and such colleagues as Lily Tomlin, Carol Burnett, Gene Wilder, Harold Prince, and Eileen Brennan, as well as archival press and private writings, Madison uncovers Kahn’s lonely childhood and her struggles as a single woman working to provide for her erratic mother. Above all, Madison reveals the paramount importance of music in Kahn’s life. A talented singer, Kahn entertained offers for operatic engagements long after she was an established Hollywood star, and she treated each script as a score. As Kahn told one friend, her ambition was “to be the music.”